Afternoon had barely melted into evening 
when we found the corpse on the side of the road;
a deer, yes?
Yes, deer — 
cracked open like a pomegranate from belly to 
arched neck,
ribcage yawning wide.

I stretch the vowels of your name until 
I feel my own jaw pop. 
How lovely the body is 
when it pushes itself too far;
how beautiful the consequence, 
a boundary within which to feel it, to be it, 
with your open arms questing 
in the uneasy threat of a car head —
light’s yellow pool.  

The blood on the body is not vibrant unless it is
illuminated.  The deer is murky 
except where the light
catches black syrup and shames it red.
I would give you either half of this wishbone,
and help you suck the marrow from the shank.

Crack into this evening with me, take a leg
before the maggots come; a fresh kill leads
very quickly to rot
and not all rot leads to wine.  

Sometimes, all you get is the dead —
and then, you have to decide which part to eat,
tossing dirt over whatever is left behind.  
I have found that the predators are the ones
who know how to hold themselves
still.

There is nothing I would not be for you.
I would follow you, nice and quiet, 
until the flash of violence and slick hot spill.
Wouldn’t you like that; for me to be quiet?
Wouldn’t you prefer that I be nice?

Deer in headlights

by Isabelle Nicole

Isabelle Nicole is a poet and avid essayist from Wellington, her thematic interests are allusions to all that is intangible and grotesque but simultaneously divine, most particularly to explore underlying social issues of trauma and existentialism. When a pen is not in her hand, a mug of coffee most certainly is.